Tag: healing

Catching our Breath

The Sunday after Christmas often feels quieter, as though the world is catching its breath. The decorations are still up, but something has shifted. The miracle has happened, and now we’re left to ask what it means to live in its light.

Isaiah 63:7-9 remembers the steadfast love of the Lord, calling to mind all that God has done for God’s people, how in all their distress, God too was distressed, and the angel of his presence saved them. Christmas isn’t God visiting from a safe distance. It’s God stepping into human suffering, choosing nearness over comfort, solidarity over safety. The manger already casts the shadow of the cross, not as threat, but as promise: you are not alone.

Psalm 148 widens the lens. Everything is invited to praise, angels and stars, sea creatures and storms, children and elders alike. Praise here isn’t sentimental, it’s defiant. Creation sings because it has seen that God’s love doesn’t hover above the world but enters it. The baby in Bethlehem draws heaven and earth into a single song.

Hebrews 2:10-18 presses this even further. We’re urged to pay careful attention to what we’ve heard, because this God has shared our flesh and blood. Jesus isn’t ashamed to call us brothers and sisters. He knows fear, weakness, and death from the inside, and by doing so breaks their hold. Salvation, then, isn’t escape from humanity, it’s humanity healed from within.

So this Sunday invites us to linger. To notice the extraordinary humility of God, still wrapped in ordinariness. To keep praising, even when the song feels fragile. And to live attentively, awake to the truth that in Jesus, God has chosen to be with us, fully, faithfully, and forever.

Die Hard IS a Christmas Movie

Yes, Die Hard was released in July 1988 as a summer blockbuster, but everything about it shouts CHRISTMAS. It’s both a Christmas movie AND a movie set at Christmas. It’s been criticised for its swearing, violence, and moral ambiguity, but it does contain themes of forgiveness, redemption, reconciliation, healing, and transformation. It also ends with the characteristic warm glow of Christmas movies. The latter being emphasised by the end credits music Let It Snow! Let It Snow! Let It Snow! and Beethoven’s Ode to Joy, a recurring thematic and musical motif throughout the movie.

Die Hard has acquired status as a Christmas movie over the years since its release, although others would totally disagree with this attribution. Both sides can be very vocal when expressing their view, some allowing no discussion – it just IS a Christmas movie.

Let’s consider the evidence. Christmas is integral to the story, John McClane (played by Bruce Willis) was in Los Angeles because of the season. The Nakatomi Plaza (where the action takes place) only had minimal staffing because of the Christmas break, this being the reason why Hans Gruber (played by Alan Rickman) chose Christmas Eve to take over the building. There was a Christmas party happening in the building with the head of the corporation present. One crucial scene features a gruesome, yet humorous reference to Father Christmas, and another references a miracle because it was Christmas. Finally, McClane’s wife is called Holly, and the start of this poem is quoted, ‘Twas the night before Christmas.

All things considered, the action had to take place at Christmas. For me, and for many others, it feels like a Christmas movie, that’s the time of the year I watch it. Therefore, it IS a Christmas movie, end of.