Holy Saturday 2021

Wait for it…it’s not Easter yet!

Today is Holy Saturday, not Easter Saturday. Easter starts with the resurrection of Jesus when darkness is turned to light. In stillness, earth awaits the resurrection.

For Holy Saturday this year, I simply share some of the German libretto with an English translation (as I did yesterday for Good Friday).

67 Recitative [Bass, Tenor, Alto, Soprano] and Chorus

Bass:
Nun ist der Herr zur Ruh gebracht.
Now is the Lord brought to peace.
Mein Jesu, gute Nacht!
My Jesus, goodnight!

Evangelist:
Die Müh ist aus, die unsre Sünden ihm gemacht.
The trouble is over, which our sins caused for him.
Mein Jesu, gute Nacht!
My Jesus, goodnight!

Alto:
O selige Gebeine,
O sacred bones,
Seht, wie ich euch mit Buß und Reu beweine,
See how I weep for you with penance and remorse,
Dass euch mein Fall in solche Not gebracht!
That my fall has brought you into such distress!
Mein Jesu, gute Nacht!
My Jesus, goodnight!

Soprano:
Habt lebenslang,
As long as life lasts,
Vor euer Leiden tausend Dank,
Have a thousand thanks for your sufferings,
Dass ihr mein Seelenheil so wert geacht’.
For having valued so highly the salvation of my soul
Mein Jesu, gute Nacht!
My Jesus, goodnight!

68 Chorus

Wir setzen uns mit Tränen nieder
We sit down with tears
Und rufen dir im Grabe zu:
And call to you in your tomb:
Ruhe sanfte, sanfte ruh!
Rest gently, gently rest!
Ruht, ihr ausgesognen Glieder!
Rest, you exhausted limbs!
Euer Grab und Leichenstein
Your grave and tombstone
Soll dem ängstlichen Gewissen
For our anguished conscience shall be
Ein bequemes Ruhekissen
A pillow that gives peace and comfort
Und der Seelen Ruhstatt sein.
And the place where our souls find rest.
Höchst vergnügt schlummern da die Augen ein.
With the greatest content there our eyes will close in sleep.

Good Friday 2021

I mentioned in my Maundy Thursday 2021 post that my music of choice on Good Friday is Bach’s St. Matthew Passion. It selects itself, and still has the power to shock and move the human spirit. 

For Good Friday this year, I simply share some of the German libretto with an English translation. See also here.

40 Chorale

Bin ich gleich von dir gewichen,
Although I have strayed from you,
Stell ich mich doch wieder ein;
Yet I turn back once again;
Hat uns doch dein Sohn verglichen
Your son has settled the account for us
Durch sein’ Angst und Todespein.
Through his anguish and death agony.
Ich verleugne nicht die Schuld;
I do not deny my guilt;
Aber deine Gnad und Huld
But your grace and favour
Ist viel größer als die Sünde,
is much greater than the sins
Die ich stets in mir befinde.
I find constantly in myself.

51 Recitative [Alto]

Erbarm es Gott!
Have mercy, God!
Hier steht der Heiland angebunden.
Here stands the saviour, bound,
O Geißelung, o Schläg, o Wunden!
O scourging,o blows, o wounds!
Ihr Henker, haltet ein!
You executioners, stop!
Erweichet euch
Are you not softened by
Der Seelen Schmerz,
The soul’s agony,
Der Anblick solches Jammers nicht?
The sight of such misery?
Ach ja! ihr habt ein Herz,
Ah yes! You have a heart
Das muss der Martersäule gleich
That must be like the post used for torture
Und noch viel härter sein.
And even far harder still.
Erbarmt euch, haltet ein!
Have mercy, stop!

65 Aria [Bass]

Mache dich, mein Herze, rein,
Make yourself pure, my heart
Ich will Jesum selbst begraben,
I want to bury Jesus himself within me,
Denn er soll nunmehr in mir
For he now within me
Für und für
Forever
Seine süße Ruhe haben.
Shall have his sweet rest.
Welt, geh aus, lass Jesum ein!
World, depart from my heart, let Jesus enter!

Aqualung (Jethro Tull)

The classic and influential Aqualung album by Jethro Tull is 50 years old today (19 March 2021). I bought it on vinyl soon after its release in 1971 and have listened to it countless times since. It impressed me then, and continues to inspire me today. It’s a very thought provoking and challenging album using language in ways that may offend, but to powerful effect.

With its iconic cover and distinctive opening, it’s a concept album focusing on the differences between organised religion and God. It’s been described as musical musings on faith and religion.

The album also links in the themes of homelessness and poverty, with the title track perfectly describing the life of a homeless man, ‘you snatch your rattling last breaths, with deep-sea-diver sounds’. The Salvation Army even gets a mention, ‘Feeling alone, the Army’s up the road, Salvation a la mode and a cup of tea’.

The album covers many genres, with some great guitar work, and the distinctive flute sound of Ian Anderson (an instrument not common on rock albums, but central to the sound of Jethro Tull). This is an album unlike any other, and the best way to appreciate it is to simply give it a listen.


Here are some lyric tasters:


People, what have you done?
Locked him in his golden cage, golden cage,
Made him bend to your religion,
Him resurrected from the grave, from the grave.

He is the God of nothing,
If that’s all that you can see.
You are the God of everything,
He’s inside you and me.

And the bloody church of England,
In chains of history,
Requests your earthly presence,
At the vicarage for tea.


Well, the lush separation enfolds you,
And the products of wealth,
Push you along on the bow wave,
Of their spiritless undying selves.
And you press on God’s waiter your last dime,
As he hands you the bill,
And you spin in the slipstream,
Timeless, unreasoning,
Paddle right out of the mess,
And you paddle right out of the mess.


And I asked this God a question,
And by way of firm reply,
He said: “I’m not the kind you have to wind up on Sundays”.

Well, you can excommunicate me on my way to Sunday school,
And have all the bishops harmonise these lines.


20 Minutes

20 Minutes is a 2021 EP by Carbon Based Lifeforms with the main track lasting…(wait for it)…20 minutes, it’s one of my favourite EPs of 2021.

A long time thought is finally a reality. A twenty minutes long story that takes you on a soothing journey through the ambient soundscapes of Carbon Based Lifeforms. The other track is an extended version of Leaves which further soothes your mind, it’s melancholic winter landscape. Source

You can find this EP (with other EPs and albums) in my Bandcamp collection here.

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Ambient Mood (Bandcamp)

Bandcamp is a website for musicians and labels upload music and control how they sell it, setting their own prices or the option to pay what you like and offering occasional discounts. I use it to discover independent music, listening mainly to ambient music, although not exclusively. I’ve also made a number of online friends through Bandcamp. You can find my fan profile and public music collection here.

Bandcamp’s website offers users access to an artist’s page featuring information on the artist, social media links, merchandising links and listing their available music. Artists can change the look of their page and customize its features. Source

You can stream the music on the website, listen via an app or download. Downloads are offered both in lossy formats as MP3, AAC and Ogg Vorbis, and in lossless formats as FLAC, ALAC, WAV and AIFF. Some artists may offer the purchase of their music on physical media such as CD, vinyl, and even cassette.

I download my purchases and listen to them on a dedicated music player, as well as listening on the website and app on my smartphone. You can read about some of my favourites by clicking here.

Here at the Mayflower (2001)

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You might be surprised that I’m writing about a Barry Manilow album, which (believe it or not) one of my favourite albums of 2001. I’ve previously written about my eclectic musical taste, so actually you might not find it as strange as it first seems. I’m not one to shy away from a particular musician simply because some might consider that choice uncool.

Here at the Mayflower is a concept album, based on the Brooklyn apartment complex where Barry Manilow grew up. The album contains a mixture of musical styles, and some you not might expect. It’s very different from his work of the 1970s and 80s, and something of a hidden gem. Each song tells a story about the occupants of an apartment block. It’s a wonderful album.

Albums that missed out in 2021

You can see my favourite albums of 2021 here, these are the ones that just missed out for a variety of reasons. They’re all good, but I had to draw the line somewhere.

Lost (Cousin Silas)

Riding on the Tide of Love (Deacon Blue)

Fear of an Obtuse Earth (Home Brewed Universe)

Home (Rhye)

Under a Mediterranean Sky (Steve Hackett)

The Future Bites (Steven Wilson)

Mars Perseverance (Various Artists)

This post is a work in progress and subject to change and revision.

Mars Perseverance (Album)

To commemorate the new Mars Perseverance Rover landing on February 18, 2021, Aural Films presents a collection of new music inspired by the Mars Mission composed by 37 artists from around the world. Listen to this extended soundtrack of more than 4 hours of new music celebrating the Mars Perseverance Rover landing.

All proceeds from this project will be donated to the Feeding America project who are working to support over 25 million people that do not have food. Please lend a hand by purchasing this album to help others and get over 4 hours of great space music for your support.

Read more (with links) here: Mars Perseverance

Music for Home Schooling

Dave Grohl recently (February 2021) suggested three albums that children should listen to for their musical education:

Sgt. Pepper is obvious, and is my first choice. Back in Black wouldn’t get a look in, but Saturday Night Fever has some merit.

So, what would I choose to go with Sgt. Pepper?

There are so many possibilities, including other albums by The Beatles – but that would just be indulgent. Certain albums by David Bowie, Pink Floyd, and Radiohead were strong contenders, but I decided to go with these two classics:

Which three albums would you choose?

See also: Essential Albums and Musicians

Tapestry (Carole King)

The classic album Tapestry by Carole King was released on this day (10 February) in 1971. It’s a wonderful album (one that’s stood the test of time) with an iconic cover, and there were so many of those in the 1960s and 70s. I haven’t really got much to say about it, other than it’s one of the great albums. I bought it at the time, and I still listen to it regularly. Do check it out, you won’t be disappointed.