Ghost Stories (2017)

Naomi and I asked friends on Facebook and Twitter for recommendations of scary movies we could watch from behind the sofa on Halloween.

We were not disappointed with the one we chose from all the great suggestions, and there’s other evening to watch more.

Ghost Stories comprises three separate tales linked by the common narrative of a man devoted to debunking fraudulent psychics, who is tasked with solving three unexplained paranormal events.

It was genuinely creepy and scary, intelligently made, and with some brilliant shocks along the way. I gave it 9/10 on IMDb.

Please note: the links are spoilers if you read too far down.

Remembering Ian Curtis

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Forty years ago (18 May 1980) Joy Division lyricist and singer Ian Curtis took his own life, a tortured star whose influence both at the time and since has been immense. Actor Sam Riley brilliantly portrays Curtis in Control, Anton Corbijn‘s 2007 film of the Joy Division singer’s life and suicide.

Although there have been those who have sought to glamorise his death as a rock and roll suicide, in reality it was a consequence of his lack of control over many aspects of his personal life. The debilitating effects of epilepsy, the deception of having an affair, the almost inevitable breakdown of his marriage, and the prospect of separation from his year-old baby daughter. As he sang, “All the failures of the modern man”.

The classic and influential album Unknown Pleasures (released in 1979) revealed a profoundly dark poet and a starkly grim realist, a very different voice in music at the time, one who added deep insight and intelligence to the post-punk movement. It’s one of my influential albums.

The clues were there though. In the track Shadowplay, Ian Curtis sings, “In the shadowplay, acting out your own death, knowing no more…” and in New Dawn Fades, there’s one in the very title as well as the words, “The strain is too much, can’t take much more”.

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Once the truly shocking news broke that Ian Curtis had taken his own life, there came the full realisation that his writhing and twisted dancing on stage wasn’t simply performance art, he was genuinely wrestling with his emotional and physical demons, as well as reflecting how hopeless, meaningless and inhuman he felt our world had become.

Tragic as any death is, we’re often drawn to those in public life who take their own lives, and there are many examples. Listening to the album Closer (released soon after his death) was uncanny and slightly unnerving, a feeling that persists even now.

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So this is permanence, love’s shattered pride
What once was innocence turned on it’s side
A cloud hangs over me, marks every move
Deep in the memory of what once was love

Oh, how I realized I wanted time
Put into perspective, tried so hard to find
Just for one moment I thought I’d got my way
Destiny unfolded, watched it slip away

Excessive flash points beyond all reach
Solitary demands for all I’d like to keep
Let’s take a ride out, see what we can find
Valueless collection of hopes and past desires

I never realized the lengths I’d have to go
All the darkest corners of a sense I didn’t know
Just for one moment, hearing someone call
Looked beyond the day in hand, there’s nothing there at all

Now that I’ve realized how it’s all gone wrong
Got to find some therapy, treatment takes too long
Deep in the heart of where sympathy held sway
Got to find my destiny before it gets too late

Twenty Four Hours (from Closer)

I remember a survey from a few years back revealing that more people take their own lives in May than in any other month. Apparently, “the juxtaposition between a literally blooming world and the barren inner life of the clinically depressed is often too much for them to bear”.

We remember Ian Curtis because of his musical influence and legacy, but there’s also many thousands of young men who take their own lives each year, and I particularly remember one whose funeral I conducted a few years ago. A reminder to do all we can to reduce the stigma of mental illness in society, and to support those who are suffering. On this tragic anniversary, a fitting way to remember Ian Curtis.

See also: Transmission (Joy Division)

Contagion (2011)

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Having criticised ITV2 the other day for showing Contagion, Naomi and I watched it on Netflix last night. The plot is very topical and concerns the spread of a novel virus transmitted by fomites, the attempts by medical researchers and public health officials to identify and contain the disease, the loss of social order in a pandemic, and the introduction of a vaccine to halt its spread.

At times it felt like watching a documentary as well as a narrative story. The movie has several interacting plot lines, making use of the multi-narrative hyperlink cinema style, and finishes with a very thought-provoking ending. I gave the movie 8/10 on IMDb. It would have been higher had the movie better conveyed a sense of fear and dread, but we’ve got plenty of that in real life right now.

Baby Driver (Movie)

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Naomi and I watched Baby Driver recently and thoroughly enjoyed it, although it’s somewhat violent and sweary at times (not for the faint-hearted or easily offended). Overall it’s very stylish, stands out from the crowd and keeps your attention, although the script was ordinary and some of the characters could have been better defined.

A talented, young getaway driver relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams, Baby sees a chance to ditch his criminal life and make a clean getaway. (Bing search).

I particularly appreciated the soundtrack as this was an integral part of the storyline in a way I’ve not come across before, rather than (as is usual) accompaniment to the action and helping to set the mood.

The movie stars Ansel Elgort, Lily James, and Kevin Spacey (are we still allowed to watch his movies in the light of recent events?) amongst others. In fact, the reason Naomi bought the DVD was because it starred Lily James, who plays the young Donna in Mamma Mia! Here We Go Again.

The whole time I was waiting for the song Baby Driver by Simon and Garfunkel from their album Bridge Over Troubled Water; but I needn’t have worried, it starts before and plays through the end credits.

Note: I’ve created the soundtrack on Spotify, click here.

The Martian (Andy Weir)

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The other day I borrowed (with permission) this book from a cafe, because having started it I was hooked. It’s a 2011 science fiction novel written by Andy Weir, adapted into a 2015 film directed by Ridley Scott and starring Matt Damon.

It appealed to my inner geek, as well as my interest in science and space exploration, but what completely sold it to me was an endorsement by a real-life astronaut Chris Hadfield: A book I just couldn’t put down! It has the very rare combination of a good, original story, interestingly real characters and fascinating technical accuracy.

If I had the time I would have probably read it in one sitting, but I’m currently half-way through it. It’s fast-paced, in fairly short chapters, with brief sections, and this all makes for an easy read. I’ve known about the book and film since they came out, so I’m a little late to the party, but better late than never! I look forward to finishing the book and catching up with the film sometime.

Update: I finished the book (a really gripping read) and Naomi bought me the DVD, so we snuggled on the sofa to watch it. All in all, a great book and film. Oh, and I was finally able to return the book in August 2019 and enjoy lunch and a coffee.

I, Daniel Blake

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Although I’d seen it before, I watched I, Daniel Blake with Naomi (watching for the first time) last night. Like the first time, it made me sad and angry in equal measure, as well as bringing tears to my eyes.

Daniel is unable to work because of his health situation, and he has to battle a welfare system that should work for him, but which in reality works against him. There is one lady (within the system) who tries to treat him with dignity and help him, a little like a flower growing through a crack in hard concrete; sadly, the weight of the system comes down on her, like a heavy boot.

He makes profound statements of his humanity in two very powerful scenes; one depicted above, the other in the final scene (which I’ll leave for those who haven’t seen it). This is a must-see movie (directed by Ken Loach) if you have a heart for the vulnerable within our society and our common humanity.