From Calling to Witness

There are seasons when hope arrives quietly, almost unnoticed, like the first green shoots after a long winter. We speak of God doing new things, yet we often expect clarity and momentum before we trust. Scripture invites us into a gentler posture of attentiveness.

Isaiah 43:19 whispers promise into dry places, see, I am doing a new thing, now it springs up, do you not perceive it, while Hosea 10:12 urges us to break up unploughed ground and seek the Lord until righteousness falls like rain. Together they call us to watchfulness, to faithful openness, to the slow work of soil being turned and grace already moving beneath the surface.

Isaiah 49:1–7 gives voice to the ache many carry, a sense of calling without visible fruit, labour poured out with little to show. The servant speaks honestly of frustration, yet still trusts that my reward is with the Lord. What feels hidden or wasted is held within a larger purpose, a calling that widens from restoring what is familiar to becoming a light to the nations. God’s work is rarely as small as we fear.

Psalm 40:1–12 captures the texture of lived faith. The psalmist waits patiently, cries out, and is heard. God lifts them from the pit and sets their feet on firm ground. Praise rises, not as performance, but as a life reshaped from within. Obedience matters more than sacrifice, because God’s law is written on the heart. Gratitude for past rescue sits alongside honest prayer for mercy, forgiveness, and help, reminding us that trust is both tender and resilient.

Paul opens his letter in 1 Corinthians 1:1–9 by speaking grace over a fragile community. They are called, gifted, and held, not because they are strong, but because God is faithful. Their future rests not on competence, but on the promise that God will sustain them to the end. It’s a reassurance for every imperfect believer who keeps turning up with open hands.

In John 1:29–42, everything turns on encounter. John the Baptist points beyond himself to Jesus, the Lamb of God who takes away the sin of the world. Two disciples follow, hesitant yet curious, and hear the simple invitation, come and see. They stay, they listen, they are changed, and witness begins to ripple outward, one life quietly touching another.

Across these readings runs a shared rhythm of calling before clarity, waiting before fruit, faithfulness before recognition. God works through what feels small, hidden, or unfinished. If we live with expectancy, offering our daily yes, we may discover that we’re already standing within God’s new thing, grace unfolding gently, faithfully, and far beyond what we can yet perceive.

Note: This devotional is based on worship I led at Horden Salvation Army on Sunday 18 January 2026, you can see my full notes by clicking here.

Die Hard IS a Christmas Movie

Yes, Die Hard was released in July 1988 as a summer blockbuster, but everything about it shouts CHRISTMAS. It’s both a Christmas movie AND a movie set at Christmas. It’s been criticised for its swearing, violence, and moral ambiguity, but it does contain themes of forgiveness, redemption, reconciliation, healing, and transformation. It also ends with the characteristic warm glow of Christmas movies. The latter being emphasised by the end credits music Let It Snow! Let It Snow! Let It Snow! and Beethoven’s Ode to Joy, a recurring thematic and musical motif throughout the movie.

Die Hard has acquired status as a Christmas movie over the years since its release, although others would totally disagree with this attribution. Both sides can be very vocal when expressing their view, some allowing no discussion – it just IS a Christmas movie.

Let’s consider the evidence. Christmas is integral to the story, John McClane (played by Bruce Willis) was in Los Angeles because of the season. The Nakatomi Plaza (where the action takes place) only had minimal staffing because of the Christmas break, this being the reason why Hans Gruber (played by Alan Rickman) chose Christmas Eve to take over the building. There was a Christmas party happening in the building with the head of the corporation present. One crucial scene features a gruesome, yet humorous reference to Father Christmas, and another references a miracle because it was Christmas. Finally, McClane’s wife is called Holly, and the start of this poem is quoted, ‘Twas the night before Christmas.

All things considered, the action had to take place at Christmas. For me, and for many others, it feels like a Christmas movie, that’s the time of the year I watch it. Therefore, it IS a Christmas movie, end of.