My twenty favourite albums of 2024 are largely connected by being works of maturity (including Billie Eilish) with the remaining albums showing great originality. I’ll let you discover which is which as all these albums demand careful and repeated listens. As with most albums, they should be listened to in their entirety as presented (not shuffled).

The twenty albums are listed and described below. My top five (in alphabetical order of artist and marked with an asterisk) are The Cure, David Gilmore, Jon Anderson & The Band Geeks, Nick Cave & The Bad Seeds, and Stuckfish. All five are worthy of the top spot, but I couldn’t decide. If pushed, I’d say The Cure is my number one album of the year.

Lives Outgrown (Beth Gibbons) – This is the debut solo studio album by Beth Gibbons, the singer of the group Portishead. She wrote the album over a decade, with topics specific to nearing the age of 60, including motherhood, anxiety, menopause, and mortality. The album reflects on the deaths of family and friends over several years.

Hit Me Hard and Soft (Billie Eilish) – Billie Eilish hasn’t always hit the musical spot for me, apart from some notable exceptions. But, at an incredibly early age, she has produced a masterpiece with this album, it speaks to both the mind and heart. A true work of maturity.

Songs of a Lost World (The Cure)* – A mind-blowing album from Robert Smith and The Cure. It both laments the lost of loved ones and uplifts the spirit, there’s light in the darkness. It’s arguably the most personal album of Smith’s career. Let the entire album flood your heart and soul.

Down the Hill (Cousin Silas) – This is a really excellent ambient album from my friend David Hughes, it’s relaxing and reflective. You can find this album on Bandcamp.

The Derelict (Cousin Silas) – Another favourite from Cousin Silas, this time some dark ambient inspired by the original Alien movie and scenes of the alien ship, both external and internal, the corridors, and the alien pilot room. As before, this album can be found on Bandcamp.

Luck and Strange (David Gilmour)* – The legendary guitarist of Pink Floyd needs no introduction, and this is an album of both maturity and creativity. His daughter Romany features on the album as does the keyboard playing of the late Richard Wright from 2007. David Gilmour said that his producer (Charlie Andrew) challenged him musically and was not intimidated by his past work with Pink Floyd. He also considers it to be some of his best work.

This Could Be Texas (English Teacher) – The debut studio album by the English Teacher. It drew acclaim from critics and won the 2024 Mercury Prize. It’s been described as a truly original effort from start to finish, an adventure in sound and words, and a landmark statement.

Mountainhead (Everything Everything) – This concept album takes place in a fictional world wherein all of society is consumed with the building of a giant mountain. However, the twist in the story is that the people would have to dig a deep hole and live in it in order to build the mountain. Furthermore, at the bottom of the pit lives a giant golden snake that they have to escape. It represents an alternate society where those at the bottom have to work relentlessly to keep the elite elevated.

Romance (Fontaines D.C.) – This is the fourth studio album from this Irish rock band, one in which they have moved on from their previous work. Inspired by Japanese manga and Italian cinema, they search for truth in a world gone wrong.

True (Jon Anderson & The Band Geeks)* – What can I say? Jon Anderson is the voice of Yes, and this is like getting a new Yes album. Fantastic progressive rock.

Ritual (Jon Hopkins) -This is an album to feel or (equally) one to listen carefully and deeply. It works on both levels. An ambient album from a master of electronic music.

In a Landscape (Max Richter) – Another album of reflective music, this time from a master of classical minimalism.

Wild God (Nick Cave & The Bad Seeds)* – This is a magnificent album by the wonderful Nick Cave, released to universal acclaim.

A Matter of Time (Shed Seven) – Shed Seven passed me by first time around, but I decided to give this album a listen. There’s nothing original here, except an album full of good songs created by a group that clearly enjoy making music. It’s a case of the whole being greater than the sum of the individual parts.

Wall of Eyes (The Smile) – This is the first of two albums released this year by the Radiohead spin-off group. As a Radiohead fan it’s unsurprising that both albums feature in my favourites. Having said that, both were released to universal acclaim.

Cutouts (The Smile) – The second of the two albums is more challenging and prioritises atmosphere over conventional song writing. The lyrics address capitalism, climate change denial, and socio-political dread.

All Born Screaming (St. Vincent) – Anne Clark, known professionally as St. Vincent, has made the album whose title she’s had in her head for nearly twenty years. She wasn’t ready then, but felt the time was right now. It’s a uniquely personal album and is self-produced, to truly render the sounds in her head and maintain a greater control over her own work.

Ensoulment (The The) – A late night listening album (long in the making) from the wonderful Matt Johnson and The The.

Confidenza Soundtrack (Thom Yorke) – I’m not a great fan of soundtrack albums, but this one by Thom Yorke of Radiohead stands tall on its own. One for everyone, but especially Radiohead fans.

Stuckfish IV (Stuckfish)* – This is the fourth album (obviously) from a melodic progressive rock group based in Northumberland. Philip Stuckey is a friend, although I haven’t had the chance to hear them live. They deserve wider recognition. Find them on Bandcamp.

See also: Red (Elemental Mixes 2024 and I Advance Masked (2024 Remix).