There are times when you need an uplifting song to raise your mood, at other times a sad song can emotionally connect with particular feelings and be more meaningful. Indeed, many people consider sad songs better and deeper than happy songs, as they speak profoundly to the human condition.
Just sometimes though, we need to rage and let our feelings out, as this can be very cathartic. Here’s a Radiohead song does just that, it’s a song of rage from their album Kid A released in 2000.
Everyone Everyone around here Everyone is so near It’s holding on It’s holding on
Everyone Everyone is so near Everyone has got the fear It’s holding on It’s holding on
It’s holding on It’s holding on It’s holding on
Thom Yorke sings short, ambiguous lyrics, using voice distortion and a feedback echo that creates a sense of isolation and fear. The looping heavy bass line that leads the song was composed by Yorke when he was 16 years old. The early electronic instrument called ondes Martenot, played by Jonny Greenwood, was inspired by Olivier Messiaen. The free jazz-style brass section was inspired by the work of Charles Mingus. Added to that are some interlaced sound effects and mysterious samples creating quite a unique track.
Having recently posted my album of the 2010s decade I’ve gone back retrospectively and compiled my favourite album(s) of each year of the 2000s in order to choose my album of that decade.
You might be surprised by one (if not more) of the choices, but I have written about my musical eclecticism here. I’m not one to shy away from a particular group or musician simply because some might consider that choice as ‘uncool’ to like.
Listed below are over 30 of my favourite albums, and you’ll see that 2001 was a good year with 9 favourites altogether. Choosing my album of the 2010s decade was easy, the album effectively chose itself, but this decade is not so easy.
The Radiohead albums are particular favourites, especially Kid A and Amnesiac, but I’ve actually chosen In Rainbows. It was self-released as a pay-what-you-want download. This was a first for a major act and it made headlines around the world and sparked debate about implications for the music industry. So In Rainbows has significance over and above the music itself.
Once I’d chosen my top albums of the individual years of the decade (15 albums in total with joint-favourites) the album of the decade just shouted out at me!
Blackstar (stylised as ★) by David Bowie was released on 8 January 2016 (Bowie’s 69th birthday). Two days later, he died of liver cancer; his illness had not been revealed to the public until then. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death. Staying true to himself, he again produced something new and unique.
The album is remarkable in that David Bowie turns his own death into a work of art. Without discussion or question, it’s my album of the decade.
My feeling this year (you may disagree of course) is that there have been lots of good albums, so it’s hard to pin down. For me, there are two outstanding albums that are my joint number one commercial album. Because there have been so many, this year I’m doing my top 20 instead of my usual top 10, and even that wasn’t easy!
Ghosteen by Nick Cave and the Bad Seeds is the final part of a trilogy of albums released in the last few years, it is simply an astonishing album. In his first album wholly written since the death of his son, Cave reaches an extraordinary, sad and beautiful artistic evolution.
Anima by Thom Yorke has been described as “full of wraithlike frequencies and fibrillating pulses” in Pitchfork. The wonderful track Dawn Chorus is a “reverential song about loss, nostalgia, and regret” with “hushed”, almost-spoken vocals.