Baby Driver (Movie)

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Naomi and I watched Baby Driver recently and thoroughly enjoyed it, although it’s somewhat violent and sweary at times (not for the faint-hearted or easily offended). Overall it’s very stylish, stands out from the crowd and keeps your attention, although the script was ordinary and some of the characters could have been better defined.

A talented, young getaway driver relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams, Baby sees a chance to ditch his criminal life and make a clean getaway. (Bing search).

I particularly appreciated the soundtrack as this was an integral part of the storyline in a way I’ve not come across before, rather than (as is usual) accompaniment to the action and helping to set the mood.

The movie stars Ansel Elgort, Lily James, and Kevin Spacey (are we still allowed to watch his movies in the light of recent events?) amongst others. In fact, the reason Naomi bought the DVD was because it starred Lily James, who plays the young Donna in Mamma Mia! Here We Go Again.

The whole time I was waiting for the song Baby Driver by Simon and Garfunkel from their album Bridge Over Troubled Water; but I needn’t have worried, it starts before and plays through the end credits.

Note: I’ve created the soundtrack on Spotify, click here.

Bowie at Glastonbury 2000

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There’s not much that hasn’t already been said about David Bowie, who was taken from us three years ago and who would have been 72 years old today; but I didn’t want the milestone to go unmentioned.

I’ve always been fascinated by his music, his creativity, changes of style, his collaborations, and his determination to set trends rather than follow them. An example of the latter is that while punk was happening, he was at the Hansa Studio in Berlin crafting a totally new sound for what became the Low album.

While working in the office at home today, I enjoyed listening to David Bowie’s Glastonbury appearance in 2000 on Spotify. There’s a great selection of his songs, some of which (for example, Hallo Spaceboy) I prefer to hear live. I well remember watching his set at the time on television, one of the truly great Glastonbury performances.

Note: This might possibly have been my favourite live album of 2018 had I heard it during the year, as it happens another Bowie live album to that accolade. See here.