20 Minutes

20 Minutes is a 2021 EP by Carbon Based Lifeforms with the main track lasting…(wait for it)…20 minutes, it’s one of my favourite EPs of 2021.

A long time thought is finally a reality. A twenty minutes long story that takes you on a soothing journey through the ambient soundscapes of Carbon Based Lifeforms. The other track is an extended version of Leaves which further soothes your mind, it’s melancholic winter landscape. Source

You can find this EP (with other EPs and albums) in my Bandcamp collection here.

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Apocalypse (Jack Hertz)

Jack Hertz has been composing and recording for more than thirty years. He’s fascinated by all aspects of creating sound, from the earliest instruments to the present day hardware and software innovations. I’ve been listening to his albums for many years now, and one of his albums (released in two versions) features one of my photos (see note below).

His January 2021 album Apocalypse: Lifting of the Veil is one of my favourites of the year, comprising eight imaginative soundscapes. You can see all my favourite albums of 2021 by clicking here.

An apocalypse is a revelation: seeing something which has been hidden. It comes from the Greek word, Apokálypsis, which means “lifting of the veil”, or finding out something secret. Often this secret is discovered in a dream or a vision. Bandcamp

Note: The album, with my photo on the cover, mentioned above is available in two versions, Gilded Skies and Gilded Sky (click on the links).

Submerged (Cousin Silas)

Having finished writing about my favourite albums of 2020, it’s time to turn to 2021. Submerged by Cousin Silas is my first favourite album of 2021. These are some wonderful ambient soundscapes in which to immerse yourself and release your imagination. You can stream and/or download the album here.

Cousin Silas writes: Abandoned villages, for me, are fascinating places. The lost history, the forgotten lives and the long gone murmur of rural life. What I find more intriguing, however, are those select few villages that have been lost with coastal erosion, or abandoned due to the valley where they were situated being ‘converted’ into reservoirs. In some cases parts of the buildings occasionally, during droughts or low tides, emerge. Urban legends of bells tolling from the old church, be that submerged or managing to breath again as the water slowly recedes.

All seven tracks are named, and partially inspired, by submerged villages. Obviously there are many more across the UK, but most featured are relatively ‘local’, or at least in Yorkshire and there’s varying degrees of information about them on the Internet. Who’d have thought you could learn history whilst submerging yourself in music? Bandcamp

You can see all my favourite albums of 2021 by clicking here.

See also: Lost (Cousin Silas)

Coloured Fragments (Cousin Silas)

A third, and possibly final, favourite album by Cousin Silas in 2020.

Coloured Fragments is quite a long album, more of a double album really. Cousin Silas insists that all the titles are ‘proper’ colours! You can make your own mind up, just enjoy these soundscapes.

My friend Thomas Mathie, who has his own Bandcamp label, writes: This is truly an exceptional release from Cousin Silas … delightfully low key and chilled ambient music … nothing too strenuous or taxing … perfect for resting.

You can see all my favourite 2020 albums by clicking here.

Cover by Kevin Lyons/Cousin Silas

Coast (Cousin Silas)

This is another new release by my friend Cousin Silas (not his real name) on his Bandcamp label to become an instant favourite album of mine in 2020. The previous one is Electric Portraits.

It’s a delightfully relaxing collection of ‘aural snapshots’ inspired by the coast. As he writes: I have always had an affinity for the coast. Maybe it’s because I spent a lot of my weekends and holidays, as a kid, on the East coast. Whatever the reason, it has often ‘inspired’ me, usually for the reflective and lonely places they can be … I hope you enjoy them as much I did making them.

This album is a perfect tonic for the struggles of 2020. The artwork is again by my friend Thomas Mathie, who also has a Bandcamp label that features music by Cousin Silas and others.

You can see all my favourite 2020 albums by clicking here.

Fragility (Kevin Buckland)

This remarkable album by my friend Kevin Buckland is one of my favourites of 2020. Kevin provides very little information on the album’s Bandcamp page, other than it was recorded live to cassette tape.

The album has a lo-fi sound, and it simply oozes fragility and vulnerability. I can quite imagine the album as a film soundtrack to create a particular mood. Although released before the coronavirus pandemic, it reflects powerfully the uncertain times in which we live.

You can see all my favourite 2020 albums by clicking here.

77 Million Paintings (Brian Eno)

During the five years I lived in Wallsend I was looking for this, but could never find it. I finally found it after moving to Norton in July this year following my retirement. What is it, you ask?

Brian Eno is one of my heroes. He’s a creative, a musician, a thinker, an innovator, an artist, a music producer – someone with a finger in many pies, who always produces something new and meaningful.

What I was looking for was 77 Million Paintings (released in 2006) – a book, a digital art computer program and a DVD. It was an evolutionary work in Brian Eno’s exploration into light as an artist’s medium and the aesthetic possibilities of generative software. This piece utilises the computer’s unique capacity as a generating processor to produce original visual compounds out of a large quantity of hand-painted elements, along with similarly produced music. I’m pleased I finally found it.

The release consists of two discs, one containing the software that creates the randomised music and images that emulate a single screen of one of Eno’s video installation pieces. The other is a DVD containing interviews with the artist. The title is derived from the possible number of combinations of video and music which can be generated by the software, effectively ensuring that the same image/soundscape is never played twice. Wikipedia.

You can find me on Goodreads (click the link), and see all my 2020 books here.

Eclectic Musical Taste

music-radio-creative

Music is an important part of my life, and I have a very eclectic taste in the music I listen to. I enjoy music for a variety of reasons: it may be the melody and/or lyrics, because it’s challenging and intellectually demanding, maybe it’s a soundscape that creates/reinforces a particular mood, or simply because it’s a perfect song (which can’t be improved) that gives you goosebumps every time you hear it. The reasons could go on, and there’s such a variety of platforms and technology from which music can be consumed now!

My posts in the [Music] category on this site will give you the idea, as will the fact that a Barry Manilow album is one of my favourites of the 2000s decade. I’m not one to shy away from a particular group or musician simply because some might consider that choice as ‘uncool’ to like.

See here: Here at the Mayflower (2001)