Saying ‘NO’

It’s not always easy to say no, but often it’s essential to retain the balance of our everyday mental health. People will make demands of us, asking for this or that. They’ll ask nicely and this makes it difficult to refuse their reasonable requests, because we all want to be liked. Often people’s requests for your time or expertise can flatter, and this also makes it difficult to say no.

But we can’t say yes to everything or everyone without losing our own equilibrium. We can only help others when we look after ourselves. I want to be there for my family and friends, but to do that I have to be there for myself. An empty vessel has nothing to give. It’s not selfish, it’s inherent to human life.

One danger is when you say yes to those with the loudest requests and feel bad afterwards. Then you’re not able to spend time with those who you want spend time with, or with those who might benefit more but are less inclined to ask. Learn when to say no and when to say yes. Saying no to loud people gives you the resources to say yes to important opportunities.

Also beware of ‘distant elephants’ – saying yes to something next year that you wouldn’t say yes to if it was next week. It’s still an elephant when the time arrives, even if it appears small now!

Remember, you can say no with respect, you can say no promptly, and you can say no with a lead to someone else who might say yes. Saying yes because you can’t bear the short-term pain of saying no is not going to help you or others.

The National Anthem (Radiohead)

The National Anthem (Radiohead)

There are times when you need an uplifting song to raise your mood, at other times a sad song can emotionally connect with particular feelings and be more meaningful. Indeed, many people consider sad songs better and deeper than happy songs, as they speak profoundly to the human condition.

Just sometimes though, we need to rage and let our feelings out, as this can be very cathartic. Here’s a Radiohead song does just that, it’s a song of rage from their album Kid A released in 2000.

Everyone
Everyone around here
Everyone is so near
It’s holding on
It’s holding on

Everyone
Everyone is so near
Everyone has got the fear
It’s holding on
It’s holding on

It’s holding on
It’s holding on
It’s holding on

Thom Yorke sings short, ambiguous lyrics, using voice distortion and a feedback echo that creates a sense of isolation and fear. The looping heavy bass line that leads the song was composed by Yorke when he was 16 years old. The early electronic instrument called ondes Martenot, played by Jonny Greenwood, was inspired by Olivier Messiaen. The free jazz-style brass section was inspired by the work of Charles Mingus. Added to that are some interlaced sound effects and mysterious samples creating quite a unique track.

Roseberry Topping (Spring 2021)

While Freddy and Matilda were at school yesterday, we drove (with Pollyanna) past Middlesbrough to deliver presents to friends with a newborn baby. On the spur of the moment, we decided to take a look at one of our favourite beauty spots, but after picking up some lunch from a butcher in Great Ayton.

Roseberry Topping is distinctive and iconic landmark with fine views across North Yorkshire and Cleveland.

At just 1,049 feet (320 m) high, Roseberry Topping may not be the biggest hill you’ll ever see, but it will certainly be one of the most distinctive. Its shape, caused by the combination of a geological fault and a mining collapse in 1912 has made the hill the most beloved landmark in the Tees Valley area. With its half-cone summit and jagged cliff, some say it reminds them of the Matterhorn in Switzerland. Source

You can see all the photos I took here.

Here at the Mayflower (2001)

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You might be surprised that I’m writing about a Barry Manilow album, which (believe it or not) one of my favourite albums of 2001. I’ve previously written about my eclectic musical taste, so actually you might not find it as strange as it first seems. I’m not one to shy away from a particular musician simply because some might consider that choice uncool.

Here at the Mayflower is a concept album, based on the Brooklyn apartment complex where Barry Manilow grew up. The album contains a mixture of musical styles, and some you not might expect. It’s very different from his work of the 1970s and 80s, and something of a hidden gem. Each song tells a story about the occupants of an apartment block. It’s a wonderful album.

Week of Prayer for Christian Unity

This week is the Week of Prayer for Christian Unity (18-25 January), often abbreviated as WPCU. It involves Christian communities from across the world and from almost every denomination.

There are many different Christian churches and denominations, but all have the same basic calling – to worship God, to share the good news about Jesus Christ, and to work for the good of all people. So they often need to work together, as well as co-ordinate the work they each do separately. When they do, they are acting as Churches Together. But being Churches Together means more than that. It means commitment by each church and denomination to deepen its fellowship with the others and, without losing what makes each interestingly different, to work with them towards a greater visible unity.

To help the churches live as Churches Together, a number of small organisations have been created to ease their way. There is one in almost every town or community to help them to work together locally. There are others in the regions and for each of the four nations of Wales, Scotland, Ireland and England. There is also an umbrella organisation in the UK, Churches Together in Britain and Ireland (CTBI), from which I have obtained the above information. Additionally, there is the World Council of Churches.

You can find helpful resources on the CTBI website, including for WPCU below:

Week of Prayer for Christian Unity 2021

Week of Prayer for Christian Unity 2020

Week of Prayer for Christian Unity 2019

Week of Prayer for Christian Unity 2018

Week of Prayer for Christian Unity 2017

Simple Human Interactions

I spent this afternoon at Costa Coffee inside the Odeon Cinema foyer at Silverlink Shopping Park waiting for my car to be serviced at a nearby Citroën dealership. Having bought coffee and cake, I told the staff to let me know if they needed the table, especially in the light of reduced capacity with all the coronavirus social distancing measures, as I had done in McDonald’s in the morning.

An elderly lady and her middle-aged daughter came and enjoyed some refreshments before going into the cinema. As they left, I was still in the same place doing personal business on my Chromebook. They came over and struck up conversation, quite concerned that I had nowhere to go.

They were genuinely relieved when I explained why I was 35 miles away from home and could only have my car serviced there because it came free as part of the original sales agreement. Oh, how we laughed. Life’s little interactions are important, always talk to people whenever you have the opportunity.

Not Love Perhaps

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Photo by Toa Heftiba u015einca on Pexels.com

Here’s poem I discovered recently, one that’s already a favourite.

This is not Love, perhaps,
Love that lays down its life,
that many waters cannot quench,
nor the floods drown,
But something written in lighter ink,
said in a lower tone, something, perhaps, especially our own.

A need, at times, to be together and talk,
And then the finding we can walk
More firmly through dark narrow places,
And meet more easily nightmare faces;
A need to reach out, sometimes, hand to hand,
And then find Earth less like an alien land;
A need for alliance to defeat
The whisperers at the corner of the street.

A need for inns on roads, islands in seas,
Halts for discoveries to be shared,
Maps checked, notes compared;
A need, at times, of each for each,
Direct as the need of throat and tongue for speech.

Arthur Seymour John Tessimond (1902-1962)

14/06/20 Quiet Times

silhouette of man sitting on grass field at daytime

Bible Reading: Philippians 4:4-9

Isaiah 30:15 reminds us that, in quietness and confidence shall be your strength. That’s been my experience of faith during both good and bad times, and is my continuing experience now. The quiet times before God are so important for our spiritual health as Christians, and for our confidence and strength in ministry and service. Something we are all called to exercise.

Over the years I’ve a found a variety of resources that have helpfully enriched my prayer life, but the pure simplicity of coming before God in prayer after reading his word has so much to commend it. It’s helpful at the beginning of the day, but it can be flexible. I’ve also found that a written list is invaluable, so I remember all the people and situations I need to pray for.

Sometimes music has helped me, sometimes it’s been the beauty of God’s creation (especially at the top of mountains in South Wales), and at other times it’s been a quiet space in the midst of the rush and bustle of life (an example of this being the chapel of a hospital). So next time you’re in a hospital, maybe visiting someone or there for an appointment, find the chapel and spend a few moments of quietness and say some appropriate prayers.

Sometimes, when life has been hard, prayer has been difficult for me (I’m only human after all). At these times I’ve found a holding cross very useful. These can be bought from good Christian bookshops, along with a booklet of advice and prayers. When you can’t pray, you can hold the cross and simply allow your feelings and emotions to become a prayer to God, our heavenly Father.

We also come to God in prayer to listen, to open our hearts to his Holy Spirit and to allow him to make us the people he wants us to be. I find prayers in the Celtic tradition helpful in this respect, and I finish these thoughts with one of them:

Awaken me to your presence,
Alert me to your love,
Affirm me in your peace.
Open to me your way,
Reveal to me your joy,
Enfold me in your light,
For my heart is ready,
Lord, my heart is ready.

David Adam (from The Open Gate)

07/06/20 How are you?

black and white photography on man in black coat

Dear friend, I pray that you may enjoy good health and that all may go well with you, just as you are progressing spiritually. 3 John 2

‘How are you?’ we ask. And ‘fine’ comes the reply. But what are we really asking? And do we actually want to know, anyway?

Some years ago, I said ‘How are you?’ to a mentally disturbed man in church. With rare honesty, he responded, ‘You don’t want to know’. ‘But I do’ I protested (perhaps less honestly). ‘Well, look at your feet’, he replied, and I realised that I was walking past him even as I mouthed my automatic question.

Many languages have formulae for greeting, with questions about one’s neighbour’s family, animals, work, travel, sleep, eliciting standard responses. They oil the wheels of everyday life in society.

But what kind of interest in others might we convey in those short exchanges while travelling, on arrival at work, at the school gate, in the check-out queue or (when we get back) in church?

The apostle John, writing to his ‘dear friend Gaius‘, expressed three heartfelt wishes. First, that his friend should have good health. Second, that everything in his life should go well. Third, that his spiritual life should continue to thrive. Three wishes on the physical, circumstantial and spiritual planes.

We appear to think almost entirely about people’s health when we ask ‘how are you?’ Sometimes we scarcely wait for the expected answer, but that little answer ‘fine’ may veil a newly diagnosed cancer or a marriage on the rocks. ‘Fine’ may veil a lost faith or a broken heart.

If we genuinely care for others, we must be interested in their whole lives, in the issues they are facing in their families and in their work. Do we also have courage, with our Christian friends, to ask ‘How is your relationship with God?’

We need to pray for people on all these three planes like John, and when we write to people we need to ask after all these aspects of their lives. But in our everyday greetings, too, may we try to find ways of encouraging others by expressing a genuine concern for things that are going on in the deeper recesses of their hearts and minds.

Remembering Ian Curtis

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On this day (18 May 1980) Joy Division lyricist and singer Ian Curtis took his own life, a tortured star whose influence both at the time and since has been immense. Actor Sam Riley brilliantly portrays Curtis in Control, Anton Corbijn‘s 2007 film of the Joy Division singer’s life and suicide.

Although there have been those who have sought to glamorise his death as a rock and roll suicide, in reality it was a consequence of his lack of control over many aspects of his personal life. The debilitating effects of epilepsy, the deception of having an affair, the almost inevitable breakdown of his marriage, and the prospect of separation from his year-old baby daughter. As he sang, “All the failures of the modern man”.

The classic and influential album Unknown Pleasures (released in 1979) revealed a profoundly dark poet and a starkly grim realist, a very different voice in music at the time, one who added deep insight and intelligence to the post-punk movement. It’s one of my influential albums.

The clues were there though. In the track Shadowplay, Ian Curtis sings, “In the shadowplay, acting out your own death, knowing no more…” and in New Dawn Fades, there’s one in the very title as well as the words, “The strain is too much, can’t take much more”.

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Once the truly shocking news broke that Ian Curtis had taken his own life, there came the full realisation that his writhing and twisted dancing on stage wasn’t simply performance art, he was genuinely wrestling with his emotional and physical demons, as well as reflecting how hopeless, meaningless and inhuman he felt our world had become.

Tragic as any death is, we’re often drawn to those in public life who take their own lives, and there are many examples. Listening to the album Closer (released soon after his death) was uncanny and slightly unnerving, a feeling that persists four decades after his death.

joy_division_closer_png

So this is permanence, love’s shattered pride
What once was innocence turned on it’s side
A cloud hangs over me, marks every move
Deep in the memory of what once was love

Oh, how I realized I wanted time
Put into perspective, tried so hard to find
Just for one moment I thought I’d got my way
Destiny unfolded, watched it slip away

Excessive flash points beyond all reach
Solitary demands for all I’d like to keep
Let’s take a ride out, see what we can find
Valueless collection of hopes and past desires

I never realized the lengths I’d have to go
All the darkest corners of a sense I didn’t know
Just for one moment, hearing someone call
Looked beyond the day in hand, there’s nothing there at all

Now that I’ve realized how it’s all gone wrong
Got to find some therapy, treatment takes too long
Deep in the heart of where sympathy held sway
Got to find my destiny before it gets too late

Twenty Four Hours (from Closer)

I remember a survey from a few years back revealing that more people take their own lives in May than in any other month. Apparently, “the juxtaposition between a literally blooming world and the barren inner life of the clinically depressed is often too much for them to bear”.

We remember Ian Curtis because of his musical influence and legacy, but there’s also many thousands of young men who take their own lives each year, and I particularly remember one whose funeral I conducted a few years ago. A reminder to do all we can to reduce the stigma of mental illness in society, and to support those who are suffering. On this tragic anniversary, a fitting way to remember Ian Curtis.

See also: Transmission (Joy Division)

See also: Unknown Pleasures (Joy Division)