The judging panel said: “KIWANUKA by Michael Kiwanuka is the well deserved winner of the Hyundai Mercury Prize 2020 for Album of the Year. Classic yet contemporary, drawing on the history of music while remaining an intensely personal work of self-expression, this is an album that will stand the test of time. Songs such as ‘Hero’ and ‘You Ain’t The Problem’ deal with hot button topics like race and identity, but in a reflective way that draws the listener in. From its narrative flow to the interludes, from Civil Rights speeches to its panoramic mix of everything from psychedelic rock to piano jazz, KIWANUKA is not only a complete work, but also one that is borne of the courage of its creator to build his own world and invite us in. Warm, rich, hugely accomplished and belonging to no one genre but its own, KIWANUKA is a masterpiece.” (Source)
Brian Eno is one of my heroes. He’s a creative, a musician, a thinker, an innovator, an artist, a music producer – someone with a finger in many pies, who always produces something new and meaningful.
What I was looking for was 77 Million Paintings (released in 2006) – a book, a digital art computer program and a DVD. It was an evolutionary work in Brian Eno’s exploration into light as an artist’s medium and the aesthetic possibilities of generative software. This piece utilises the computer’s unique capacity as a generating processor to produce original visual compounds out of a large quantity of hand-painted elements, along with similarly produced music. I’m pleased I finally found it.
The release consists of two discs, one containing the software that creates the randomised music and images that emulate a single screen of one of Eno’s video installation pieces. The other is a DVD containing interviews with the artist. The title is derived from the possible number of combinations of video and music which can be generated by the software, effectively ensuring that the same image/soundscape is never played twice. Wikipedia.
The title of this post was inspired by a lyric from the title track of arguably Kraftwerk‘s greatest album Trans-Europe Express released in March 1977: From station to station, back to Dusseldorf City, Meet Iggy Pop and David Bowie, Trans-Europe Express, Trans-Europe Express.
Kraftwerk are (or were, I’m not sure) a hugely influential German band formed in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, their music has influenced a diverse range of artists and genres of modern music, including David Bowie (mentioned in the lyric above). Indeed, one of Bowie’s albums is titled Station to Station, although he’s said that the title refers not so much to railway stations as to the Stations of the Cross, despite the sound of a train.
The reason for writing this post is that the death of Florian Schneider was announced today. Sadly, we’re living at a time when many of my musical heroes are being taken from us, but I enjoyed listening to this album while walking the dog this evening, albeit with sorrow in my heart.
I use the opportunities that driving with the family provides to introduce my young children (well mainly Freddy aged 3 at the moment) to great music. This morning it was the classic Pet Sounds by The Beach Boys, previously we’ve listened to The Beatles and a few others.
I’ll probably leave it a while before introducing them to Metallica and Radiohead, for example, but what would you suggest is essential music they should be hearing at an early age? Not necessarily your favourites, but essential classics, albums and musicians. I look forward to your suggestions.