There’s not much that hasn’t already been said about David Bowie, who was taken from us three years ago and who would have been 72 years old today; but I didn’t want the milestone to go unmentioned.
I’ve always been fascinated by his music, his creativity, changes of style, his collaborations, and his determination to set trends rather than follow them. An example of the latter is that while punk was happening, he was at the Hansa Studio in Berlin crafting a totally new sound for what became the Low album.
While working in the office at home today, I enjoyed listening to David Bowie’s Glastonbury appearance in 2000 on Spotify. There’s a great selection of his songs, some of which (for example, Hallo Spaceboy) I prefer to hear live. I well remember watching his set at the time on television, one of the truly great Glastonbury performances.
Note: This might possibly have been my favourite live album of 2018 had I heard it during the year, as it happens another Bowie live album to that accolade. See here.
I don’t know about you, but for me, 2018 hasn’t been the greatest year for new commercial music; but of the 91 albums I’ve listened to, here are my top ten (in alphabetical order):
David Byrne: American Utopia
Johnny Marr: Call the Comet
Mogwai: Kin [Soundtrack]
Nils Frahm: All Melody
Ólafur Arnalds: re:member
Paul McCartney: Egypt Station
Paul Weller: True Meanings
Roger Eno: Dust of Stars
The Good, the Bad & the Queen: Merrie England
Tony Bennett & Diana Krall: Love Is Here to Stay
Although not a particular favourite, Tranquility Base Hotel & Casino by the Arctic Monkeys deserves special mention. It features a rich sound embodying lounge pop, space pop, glam rock and psychedelic pop, as well as elements of jazz. It’s a major departure from the band’s previous guitar-heavy sound, an album less accessible than their previous work (which I prefer) and one which has divided fans.
My favourite live album is:
David Bowie: Welcome to the Blackout (Live London ’78)
Despite what I’ve said about commercial albums in 2018, it’s been another great year for independent music and (out of the 45 albums I’ve listened to) here are my top ten (again in alphabetical order):
Cousin Silas: Short Stories, Short Stories 2 & Short Stories 3 (3 albums as 1 choice)
Cousin Silas: Unlimited Boundaries
Cousin Silas & Kevin Buckland: Sacred Space
Cousin Silas & Kevin Lyons: The Fortean Project
Martin Neuhold: Embraced by Dusk
Martin Neuhold & Cousin Silas: Piano 2
Mixtaped Monk: Vacant Earth
Øystein Jørgensen: Sea Of Thoughts
Phillip Wilkerson: Reveries
Scott Lawlor: Remnants of Winter Memories
You can find my Bandcamp music collection here.
Let me know what you think about my favourites, and maybe share your favourites. Here’s already looking forward to what 2019 will bring.
Note: Another Bowie release might possibly have been my favourite live album had I heard it during the year, you can read about it here.
In any normal year The Ship by Brian Eno would be my favourite album of the year but for three outstanding albums released in 2016 which top it.
All my top three albums deserve the number one spot, and each of them have been number one at some time in the last few weeks. So I’m going to bottle out and give all three joint number one status, listing in order of release. They each have qualities that make them deserving of being number one.
David Bowie‘s twenty-fifth and final studio album Blackstar was released on his 69th birthday Friday 8 January 2016, two days later his death was announced. Blackstar is his swan song and parting gift. It’s a remarkable piece of work and the track Lazarus is my favourite single track of the year. The picture is imagery from the album simply because, of the three albums, this is the most significant.
Radiohead‘s ninth studio album A Moon Shaped Pool was released in May with minimal promotion, namely two songs and associated videos the week before. Several songs date back a number of years, one right back to 1995. It can be described as an art-rock album, notable for acoustic guitar and piano timbres and some wonderful choral and string arrangements.
The third album in my top three is Nick Cave and the Bad Seeds‘ sixteenth studio album Skeleton Tree, a follow-up to their excellent 2013 album Push the Sky Away (my favourite album of that year). The album is not an easy listen, but worth the effort. Most of the album had been written at the time of Cave’s son’s death, but several lyrics were amended by Cave during subsequent recording sessions and feature themes of death, loss and personal grief (Wikipedia).
Let me know what you think of my choices, and why not share your favourites?