Two things before I go on; firstly, the full title is 1000 Hands: Chapter One and secondly, this is actually a 2019 album that I unfortunately missed, but which was re-released in 2020. Well, no one’s perfect!
Compiled over many years, it’s a wonderful collaborative album, one that’s clearly been made with love. It features a whole range of guest performers, from the late Yes bassist Chris Squire, through pianist Chick Corea, to Ian Anderson of Jethro Tull on flute.
You can see all my favourite 2020 albums by clicking here.
My online friend Helen Austin (who has previously contributed a guest post) wrote this three years ago. I share it here (with permission). Artwork by another online friend Adam Howie, a piece he chose especially for Helen’s words.
Don’t give up on people. People are complicated. Complex. Don’t give up on them.
We are complicated and complex. Don’t give up on us.
We are all broken. Broken people. But there is hope. Life doesn’t have to stay broken. It can heal. Move forwards. Be different.
It will never be the same again. As it was before we broke. But it can be beautiful again. It really can. Beautiful in its brokenness.
Don’t give up. On people. On us. On you. Don’t give up on yourself. You belong here. You are loved. You are being thought of right now.
There’s not much that hasn’t already been said about David Bowie, who was taken from us three years ago and who would have been 72 years old today; but I didn’t want the milestone to go unmentioned.
I’ve always been fascinated by his music, his creativity, changes of style, his collaborations, and his determination to set trends rather than follow them. An example of the latter is that while punk was happening, he was at the Hansa Studio in Berlin crafting a totally new sound for what became the Low album.
While working in the office at home today, I enjoyed listening to David Bowie’s Glastonbury appearance in 2000 on Spotify. There’s a great selection of his songs, some of which (for example, Hallo Spaceboy) I prefer to hear live. I well remember watching his set at the time on television, one of the truly great Glastonbury performances.
Note: This might possibly have been my favourite live album of 2018 had I heard it during the year, as it happens another Bowie live album to that accolade. See here.