The National Anthem (Radiohead)

The National Anthem (Radiohead)

There are times when you need an uplifting song to raise your mood, at other times a sad song can emotionally connect with particular feelings and be more meaningful. Indeed, many people consider sad songs better and deeper than happy songs, as they speak profoundly to the human condition.

Just sometimes though, we need to rage and let our feelings out, as this can be very cathartic. Here’s a Radiohead song does just that, it’s a song of rage from their album Kid A released in 2000.

Everyone
Everyone around here
Everyone is so near
It’s holding on
It’s holding on

Everyone
Everyone is so near
Everyone has got the fear
It’s holding on
It’s holding on

It’s holding on
It’s holding on
It’s holding on

Thom Yorke sings short, ambiguous lyrics, using voice distortion and a feedback echo that creates a sense of isolation and fear. The looping heavy bass line that leads the song was composed by Yorke when he was 16 years old. The early electronic instrument called ondes Martenot, played by Jonny Greenwood, was inspired by Olivier Messiaen. The free jazz-style brass section was inspired by the work of Charles Mingus. Added to that are some interlaced sound effects and mysterious samples creating quite a unique track.

The 2000s – Album of the Decade

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Having recently posted my album of the 2010s decade I’ve gone back retrospectively and compiled my favourite album(s) of each year of the 2000s in order to choose my album of that decade.

You might be surprised by one (if not more) of the choices, but I have written about my musical eclecticism here. I’m not one to shy away from a particular group or musician simply because some might consider that choice as ‘uncool’ to like.

Listed below are over 30 of my favourite albums, and you’ll see that 2001 was a good year with 9 favourites altogether. Choosing my album of the 2010s decade was easy, the album effectively chose itself, but this decade is not so easy.

The Radiohead albums are particular favourites, especially Kid A and Amnesiac, but I’ve actually chosen In Rainbows. It was self-released as a pay-what-you-want download. This was a first for a major act and it made headlines around the world and sparked debate about implications for the music industry. So In Rainbows has significance over and above the music itself.

2000 Radiohead: Kid A
2000 PJ Harvey: Stories from the City, Stories from the Sea
2001 Anne Sofie von Otter & Elvis Costello: For the Stars
2001 Barry Manilow: Here at the Mayflower
2001 Björk: Vespertine
2001 Diana Krall: The Look of Love
2001 Gary Moore: Back to the Blues
2001 Mary J. Blige: No More Drama
2001 New Order: Get Ready
2001 Nick Cave and the Bad Seeds: No More Shall We Part
2001 Radiohead: Amnesiac
2002 Coldplay: A Rush of Blood to the Head
2002 David Bowie: Heathen
2002 Elvis Costello: When I Was Cruel (see also here)
2002 Sigur Rós: ( )
2003 David Bowie: Reality
2003 Elvis Costello: North
2003 Joss Stone: The Soul Sessions
2003 Radiohead: Hail to the Thief
2004 David Byrne: Grown Backwards
2004 Diana Krall: The Girl in the Other Room
2004 Franz Ferdinand: Franz Ferdinand
2004 Morrissey: You Are the Quarry
2005 Martha Wainwright: Martha Wainwright
2005 Sigur Rós: Takk…
2006 Amy Winehouse: Back to Black
2006 David Gilmour: On an Island
2006 Thom Yorke: The Eraser
2007 Radiohead: In Rainbows
2007 Robert PlantAlison Krauss: Raising Sand
2008 David Gilmour: Live in Gdańsk
2008 Metallica: Death Magnetic
2008 Portishead: Third
2008 The Fall: Imperial Wax Solvent
2009 Placebo: Battle for the Sun
2009 U2: No Line on the Horizon

This is the official video of the track House of Cards.

Bowie at Glastonbury 2000

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There’s not much that hasn’t already been said about David Bowie, who was taken from us three years ago and who would have been 72 years old today; but I didn’t want the milestone to go unmentioned.

I’ve always been fascinated by his music, his creativity, changes of style, his collaborations, and his determination to set trends rather than follow them. An example of the latter is that while punk was happening, he was at the Hansa Studio in Berlin crafting a totally new sound for what became the Low album.

While working in the office at home today, I enjoyed listening to David Bowie’s Glastonbury appearance in 2000 on Spotify. There’s a great selection of his songs, some of which (for example, Hallo Spaceboy) I prefer to hear live. I well remember watching his set at the time on television, one of the truly great Glastonbury performances.

Note: This might possibly have been my favourite live album of 2018 had I heard it during the year, as it happens another Bowie live album to that accolade. See here.